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DECEMBER 12 - DECEMBER 18, 2006

 

  A TOUT DE SUITE (dir: Benoît Jacquot, Not Rated) – This homage to French New Wave Cinema copies the fast and loose black & white photography and jumpy editing, and features Isild Le Besco, France’s answer to Scarlet Johansson, as the requisite fetishized female object. THE ARCHITECT (dir: Matt Tauber, R) – Anthony LaPaglia and Isabella Rossellini star in this drama about a joining of families that could lead to a better life for the residents of some Chicago projects. Chicago invented The Projects. Did you know that?  
  BARNYARD (dir: Steve Oedekerk, PG) – Proving that no American is too young to love frat boy humor, BARNYARD promises a house party for the whole stupid family. CHAOS & CADAVERS (dir: Niklaus Hilber, Not Rated) – Rik Mayall, aka DROP DEAD FRED, aka that punk fascist from THE YOUNG ONES, plays a wacky mortician. We can’t think of a better reason to see this British black comedy.  
  THE DEVIL WEARS PRADA (dir: David Frankel, PG-13) – Obviously you’re going to watch this because you think Meryl Streep as high-power fashion tyrant abusing an ultimately triumphant Anne Hathaway equals devilishly funny. Just keep in mind, though, when everyone else wants to rent it on Saturday, you’re probably wrong. ^4 (FOUR) (dir: Ilya Khrjanovsky, Not Rated) – If you’re like me, you like your art films disturbing, enigmatic and Russian. That’s why you and I are watching 4 tonight.  
  THE HOUSE OF SAND (dir: Andrucha Waddington, R) – Hopefully this visually stunning Brazilian film about two women stranded in the desert is better that manipulative piece of Hollywood-ish clap-trap CENTRAL STATION that brought this movie’s star, Fernanda Montenegro, so much international attention. ICE BLINK (dir: Gregory Roscoe, Not Rated) – A family of five decides to live on a sailboat in the Arctic in this uplifting and picturesque documentary. Unfortunately, the father doesn’t go on a Harrison Ford-style rampage like at the end of THE MOSQUITO COAST. Bummer.  
  LEFT LANE: ON THE ROAD WITH FOLK POET ALIX OLSON (dir: Samantha Farinella, Not Rated) – If you care about the world and words like “progressive folk poet” and “queer activist” don’t freak you out, then check out this road trip documentary about Howard Zinn’s favorite trouble-making global patriot, Alix Olson. LIES & ALIBIS (dir: Matt Checkowski / Kurt Mattila, R) – Our beloved Steve Coogan tests our devotion with this lame romantic comedy about grifters, also starring Rebecca Romijn and slew of well-known B-listers.  
  LOVING ANNABELLE (dir: Katherine Brooks, Not Rated) – Forbidden love between a Catholic school girl and her (female) teacher? Been there; done that. Now, if only the teacher was a nun, then we’d be approaching the Bart & Greg’s required shock quotient. MATERIAL GIRLS (dir: Martha Coolidge, PG) – This is exactly what you wish would happen to the Olson twins or the Simpson sisters or Paris and Nicole: take away their money and have them learn about what’s really important in life. Only I’ll bet by the end of this we learn that the Duff girls still suck.  
  MOZART AND THE WHALE (dir: Petter Næss, PG-13) – Beautiful actors Josh Hartnett and Radha Mitchell pretend to be autistic and in love. I bet they’re convincing. NOW YOU KNOW (dir: Jeff Anderson, R) – If there’s anything that irks us more than a new Kevin Smith movie, it’s a sub-Kevin Smith rip-off written and directed by one of his stars (Randall from the CLERKS movies) in order to cash in on his brand name.  
  THE PET (dir: D. Stevens, Not Rated) – Thank you, TLA films, for bringing us this meaty slice of master/slave erotica reminiscent of 70s exploitative eurosleaze. Keep it coming. THE RON CLARK STORY (dir: Randa Haines, Not Rated) – It’s a good thing Matthew Perry’s recovered from his nose-candy addiction in order to play a small-town teacher transplanted to Harlem. Heart-warming. Inspirational. Nauseating.  
  SIN DESTINO (dir: Leopoldo Laborde, Not Rated) – 50 years after Bunuel’s masterpiece LOS OLVIDADOS comes this sleazier, more explicit update about homeless Mexican boys who will do anything, and anyone, to survive in the slums. SPIVS (dir: Colin Teague, Not Rated) – I guess we’ve had a little respite from slick, overly clever British gangster flicks. Time for a new one, starring everyone’s favorite hobbit on a desert island: Dominic Monaghan. It doesn’t look too good, but I bet they talk funny.  
  #TALLADEGA NIGHTS: THE BALLAD OF RICKY BOBBY (dir: Adam McKay, Unrated) – Will Ferrell, at his funniest, takes on Ali G’s Sacha Baron Cohen. Nothing will make NASCAR seem more appealing, ever. TO THE LEFT OF THE FATHER (dir: Luiz Fernando Carvalho, Not Rated) – It took five years for this shocking family drama from Brazil with a devoted cult following to finally arrive on US soil. See if you agree with all the IMDB users who call this 3 hour poetic tour de force the best movie they’ve ever seen.  
  WORLD TRADE CENTER (dir: Oliver Stone, PG-13) – A French bedroom farce with wacky CGI fish. Oh, wait, no. This is the one about courageous men with mustaches. THE YOUNG, THE GAY & THE RESTLESS (dir: Joe Castro, Not Rated) – This latest gay sex comedy spoof will leave audiences on the edge of their seats, holding their bellies from gut-wrenching laughter, and thrilled not to have missed having their minds blown. That’s what the box says anyhow.  
     
  # = Michelle's pick of the week         ^ = Bart's pick of the week  
           

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